Grandmother had crushed ankles,
empty wooden bowls,
walked with a "wiggle and a waddle".
Grandfather hit her with a stick,
caused the damage.
Women had a place,
had to be quick
not to walk
with a "wiggle and a waddle,"
thirty years later.
Tom Kelly
The ceiling’s high as I can imagine
except when I fly, but that’s different.
I see the headmaster, his hair precise,
suit, shoes, neat.
The small log cane
hits my hands
they scream, go cold, pulse,
I sit on them,
listen to the teacher
tell us of some saint’s life.
Tom Kelly
First stroke.
Hand poised:
a heron's beak.
And suddenly
the page explodes
into something I can
hang my attention on.
Then the tension
in the solar plexus.
Writing a poem about nothing
is difficult.
I can't get a bearing on it.
My fingers tighten
on the brush.
The loaded bristles stab again
and incorruptible reality
is neatly tailored
to my artificial scheme.
Leaning on my arm,
I glance behind me
at the trail of devastation
inching down the page.
There is no turning back now,
no second chance.
My brush no longer
mediates between
intention and accomplishment.
It races on ahead of me,
guided by the incidental
pattern of its progress.
Independent of endeavor,
indifferent to what I am
or what I hoped to be,
it brushes my design aside
and draws its own conclusions.
Alan Ireland
The path confesses
to a fleeting indecision,
pauses by the pond
then splits,
one arm exploring
in the shrubbery,
the other luring older visitors
towards the compost heap.
Against the garage wall,
the trellis plays its game
of noughts and crosses
with a clematis,
imposes gridlock
on chaotic life —
entwining stems
so profligate with flowers.
Distant clinks of cup on saucer
promise the precision
of a 4pm refreshment.
On the patio, perhaps.
Afterwards, we'll stroll
along the Promenade,
admire the red geraniums.
Our certainties are indestructible.
Alan Ireland